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The American Wilderness: an Ambivalent Image of Self-regeneration and Psychological Disintegration. From Dead Man (1995) to Into the Wild (2007).
par Martin Berny,
publié le 03/06/2021
- This presentation deals with the wilderness motif in contemporary American literature and American cinema. Going back to the origins of this ambivalent image, it aims at explaining the underlying ideology that actively contributes to the endless process of mythogenesis of the American nation. On the individual level, it is through a journey of self-reinvention or reconstruction of the self that the wilderness appears as either a path to a metaphorical rebirth or as a dangerous place where one has to face the perils of psychological disintegration. Focusing on historical notions and topics such as Turner’s Frontier thesis, the Transcendentalist movement, or the representation of Native Americans in popular culture, this article deals with the limits of the American dream of self-transcendence. It explores works such as Jim Jarmusch’s Dead Man (1995) and both Jon Krakauer’s non-fiction bestseller Into the Wild (1996) and its film adaptation directed by Sean Penn (2007).
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Are You Going to Write That in Your Book?
par Siddhartha Deb,
publié le 03/12/2013
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Born in north-eastern India in 1970, Siddhartha Deb is the recipient of grants from the Society of Authors in the UK and has been a fellow at the Radcliffe Institute of Advanced Studies at Harvard University. His latest book, a work of narrative nonfiction, ((The Beautiful and the Damned)), was a finalist for the Orwell Prize in the UK and the winner of the PEN Open award in the United States. His journalism, essays, and reviews have appeared in Harpers, The Guardian, The Observer, The New York Times, Bookforum, The Daily Telegraph, The Nation, n+1, and The Times Literary Supplement.
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Kate Colquhoun on the blurred boundaries between fiction and non-fiction
par Kate Colquhoun,
publié le 11/09/2012
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Truman Capote called his 1966 book In Cold Blood the first non-fiction novel. Since then, the boundaries between fiction and non-fiction have become increasingly blurred.
Are these false definitions? At least we could say that novelists are able to articulate the internal worlds – the thoughts and feelings – of their characters while non-fiction relies entirely on evidence.
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James Frey - Assises Internationales du Roman 2010
par James Frey,
publié le 03/09/2010
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James Frey was one of the guests of the Assises Internationales du Roman, organised by the Villa Gillet and Le Monde in Lyon. He introduced his novel Bright Shiny Morning and told the audience about his perception of Los Angeles and his conception of storytelling.
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Littérature et société aux Etats-Unis : 1917-1968
par Alice Béja ,
publié le 27/11/2008
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Cet article propose un regard sur la littérature américaine du 20e siècle dans son rapport à l'idée d'Amérique. Les guerres et crises que traversent les Etats-Unis au cours de la période 1917-1968 contribuent à une dégradation de l'"American Dream" en "American way of life" à laquelle les écrivains américains réagissent en recherchant de nouvelles origines pour construire, en fin de compte, leur propre idée d'Amérique.